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MRat

151 Movie Reviews

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O conceito era excelente, embora um pouco pedante. A arte era, bem, um pouco falta de perspectiva (coisas como "foreshortening") e sua linha de trabalho é talvez demasiado não refinado (ele precisa de mais variação na espessura para dar a impressão de linha de peso). Tente usar suas linhas como uma forma de mostrar onde a massa de um objeto é mais concentrada e menos concentrada. Eu não era um fã da animação em si. Muitos "Tweens " para o meu gosto. Eu recomendaria em vez de tentar a sua mão em alguma animação quadro-a-quadro. Mensagem-me para mais orientação, se você gostaria. Saúde!

Merveilleux. Toutefois, votre animation de caractère est manquant une forte et dynamique pose d'image clé. Essayez de laisser vos clés pour quelques cadres supplémentaires et, s'il vous plaît, vraiment pousser les relations proportionnelles dans les extrémités de votre pose.

My, how you've come far. You're really coming into yourself. The Gerkinman... he awakens. Your transition to the truck was flawless. Really dug the old spumco-y detail shot of the toaster too. The slimey and sharp colour gradations radiating outwards were spot on. So happy to see you're this good.

Gerkinman responds:

I have much better and longer stuff on the way, loopdeloop is always just a chance to experiment.

First of all, horray for Dan Elfman and Co.

Secondly, what a wonderfully floppy piece of animation. I've a sucker for the heavy anticipation type stuff. Love seeing things with loads of weight in their movements.

I didn't read your comment at first, and was very pleased to find out that my interpretation of consumerism matched your intent. A well delivered message, particularly because it wasn't all to heavy-handed, which I appreciate.

Something I'd work on is probably tightening up the volumes of your characters. Some shifting is good, I think, but at times some of the furniture got just a little too bent out of shape for my taste, and I ended up being distracted from the fram as a whole. I'd also suggest trying to push the boundaries of your comfort zone with regards to composition. You struck a nice balance in the drame, but I'd like to see some more dynamic staging. Experiment a little with bringing things more into the foreground. As it is now, your depth of field was pretty shallow and could definitely become a lot more interesting if you explored the space of your set pieces.

All in all, a wonderful effort, and again; Oingo Boingo is a splendid refresher and blast from the past. I'm always glad to see them get some props.

Wonderful.

Every year, as the hands of the clock (LOL!) tick round to the good ol' Clock Day sessions, I grumble and moan about how lackluster submissive attempts to win cash will flood the portal, and the last few times I've been pleasantly reminded that we've got you around.

Thrice now you've dropped wonderfully creative and engaging submissions right in my lap. Imaginative and unerringly unique and, dare I say it, even profound. Simple in their method and presentation, that minimalistic approach has consistently belied a greater understanding of both the technical aspect of storytelling with animation, and our society as a whole.

Also, I will never, ever, get enough Tom Waits. Ever.

Well done, sir.

Munglai responds:

Blimey that's a big nice review. Thanks I really appreciate it.

Absolute love.

This was a simple joy. Such execution as hasn't been seen on NG in a very long time. The animation was unerringly fluid and the visual style very cleverly suited the overall production. There were some very well staged moments that took full advantage of the space you provided yourself and nothing felt gratuitous or unnecessary.

I also quite enjoy the "Mickey Mousing" of setting the animation in direct timing to the music in some segments. Just a personal taste I've always had. Luis does the same thing very well.

I'll be looking forward to your future works, sir.

tba.org.net

lmao These were great. Bonus points go to Bug.

I laughed hard at all of them and hoopah for using my theme.

Psi43 responds:

lmao yeah, zeebmork had a great idea for the second theme already (;. Go check it out in the collab/animation forum on tba.

I love that Santa design.

I move that Santa officially be portrayed in all media with the appearance he has in this.

Very lovely work, as always.

Fucking great.

I want to marry this little thing. It is cute, hilarious, filled with fucks, and most importantly, well drawn and animated.

BUT! Why the fuck were the guy's elbows in their food? I found it unnerving and disturbing that their food magically resisted their elbows. THE FUCKING ELBOWS MAN!

A forgotten masterpiece.

It's been a long time since I thought about you, and I was on AlanTheBox's page and saw September, which remains on of the funniest and most awesome videos on the site.

Then I saw this in your page and new I must watch it again. I was shocked to find I had not reviewed it. So, here is a review for you.

That blood, as he shakes his head and it squirts off, was so well animated that I rewatched the whole thing immediately after finish it so that I can examine the blood closer. Really good.

French Toast Baby this Evening!

Ryan Carell @MRat

Age 34, Male

Disabled Animator

Ottawa, Ont

Joined on 7/2/05

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